Alberto looks at the photos of his First Communion. The images are injured: someone has stolen their faces, ripping them off. Through the gesture of edition, the so-called mental disorders are explored and a fragmented domestic space is reconstructed.

Las leyendas de la zona relatan que el pueblo y la central térmica de un pequeño pueblo de Aragón se construyeron sobre terreno de batalla de la Guerra Civil española, sobre los cuerpos de cadáveres sin desenterrar. Los fantasmas y los espíritus siguen deambulando por sus calles y edificios, medio abandonadas en la actualidad. Mar llega al pueblo para pasar el verano más extraño de su vida después del divorcio de sus padres. La niña se refugia en esas misteriosas leyendas de postguerra que flotan en en el pueblo a través del grupo de adolescentes que viven con unas reglas distintas a las que ella conoce. Incapaz de distinguir la ficción de la realidad, Mar irá descubriendo un lugar más fascinante de lo que parecía que hará que haga las paces con su padre, conciliando los vínculos familiares con la memoria histórica de nuestro país, desde el punto de vista de una adolescente actual.

Sito is a teenager who hates the countryside, the smell of slurry, farms and village life, but he has never left the rural area where he was born, nor does it seem that the possibility of doing so can end his discomfort. Because right now, what really torments him is the presence of an openly homosexual young man in town. Attracted by a strong desire towards the male erotic, Sito lives immersed in a crusade to destroy the stimuli that connect him with those repressed feelings that he has latent inside him. From these circumstances, violence appears uncontrollably.

Celia is back in the neighbourhood, but she doesn’t really know how she got there or what went wrong to make everything go to shit in such a short time. In an attempt to hold on to something, she desperately seeks a way to recover the life she’s lost.

In 2015, Ossamah Al Mohsen and her son were the victims of a trip on the Hungarian border by a television reporter in her desperate flight from a Syria at war. The cameras captured this moment by scandalizing public opinion. This kick allowed Ossamah, famous soccer coach in his country, to arrive in Madrid and resume his profession. But the rest of his family did not have the same luck. The story of Ossamah allows us to reflect on the survival of thousands of Syrian families trapped in Turkey but also that of Moatassam, Youssef and Muhannad, three promising Syrian footballers who were robbed of the best years of their lives by war.

A poetic fable about wandering and unresting and about the negative impact of the civilization on nature. Birds that get lost in the flight until they faint. People who get lost in the dark. Flashes, lightning, mobile phone screens and Chinese shadows. The screen to understand reality and the image to transcend life. Taxidermy. An avant-garde ornithological documentary, which ends up being a strange existential puzzle that tries to warn us of something terrible is about to happen.

Un grupo de adolescentes emprenden un viaje para encontrarse a sí mismos en otra realidad. Avanzan a través de la oscuridad de una ciudad deshabitada en busca de las personas que les llevarán a esa ultraexistencia. Mientras el mundo pide ayuda a gritos, ellos solo parecen preocupados por destruir el pasado y quemar las raíces, ser la generación primigenia y no pertenecer a nada. Quieren ser el nuevo arte, encontrar la eternidad y después desaparecer. Teenagers, lo-fi scifi, nihilismo y violencia para conseguir llegar al otro lado.

Nobody’s Home is a docu-essay on communities, work and death in two elderly communities: a retirement home in a growing urban setting in Barcelona called “Palomar” (Barcelona) and a former colony in Ciñera (Leon), a mining town facing population decline and economic globalisation. The film deals with issues of work and care and the fear of disappearing and how these influence the politics of ageing.

Ya tenemos un ganador del concurso de mascotas del barrio del Raval. Amanece y alguien arrastra el cuerpo de la extranjera por la playa de la Barceloneta. Tres millones y medio de turistas no pueden estar equivocados. Todos los políticos tienen una opinión sobre qué hacer con ellos. Y todos nosotros tenemos un papel en el parque temático de la ciudad. La pregunta es cómo conservamos ahora sus cuerpos. Un collage fílmico entre el documental y la ficción sobre las invasiones turísticas al espacio público de la ciudad de Barcelona.

Is the entertainment industry a monster that is devouring sport? Are all players and football teams governed by money? All of them? No! U.C. Ceares is a small self-managed team from Gijón, surviving with the lowest budget in the category, extoling the true value of football. Their motto says it clearly: the smallest wallet with the biggest heart. There's more than fun and joy in Ceares, though. The humblest of teams are also in a fierce battle against the elements to keep the club afloat. U.C.Ceares have something big clubs don't have: the pride of knowing their team belongs to everyone . A story of survival in the times of huge expenditure.